Lives and works in Providence, RI and New York, NY

SOLO/TWO-PERSON EXHIBITIONS
2012
rhythm..distance, Cade Tompkins Projects, Providence, RI
Tangerine, Old Stone Bank, Providence, RI; Presented by Cade Tompkins Projects
Measuring a Summer's Day, Museo de Arte Contemporaneo de Oaxaca, Oaxaca, Mexico; Curated by Matthew Deleget + Emi Winter

2010
The Radiant Hour, The Chapin School, New York, NY; Curated by Cade Tompkins
Kill the headlights and put it in neutral, Cade Tompkins Projects, Providence, RI
Postscript, RISD Museum of Art, Providence, RI; a collaboration with Mary Paula Hunter

2009
At the Seams, The Skydive, Houston, TX; Curated by Ariane Roesch
HousEART, Smith Hill Community Development Corporation, Providence, RI

2007
BEAT, MINUS SPACE, Brooklyn, NY; Curated by Matthew Deleget and Rossana Martinez

2006
Intellectual Rigor, Marymount Manhattan College, New York, NY; Curated by Millie Burns
The Gallery at 38 Cameron, Cambridge, MA

1996
Satan’s Ball, HERE, New York, NY

GROUP EXHIBITIONS
2012
MINUS SPACE en Oaxaca, Instituto de Artes Gráficas de Oaxaca; Curated by Matthew Deleget + Emi Winter
Notations: The Cage Effect Today, Times Square Gallery, Hunter College, New York, NY
Hunters and Gatherers, Cade Tompkins Projects, Providence, RI
American Abstract Artists 75th Anniversary, ParisCONCRET, Paris, France
Never Underestimate a Monochrome, University of Iowa web site; Curated by Mariangeles Soto-Diaz

2011
ABSTRACTION∞, The Icebox and Grey Area at Crane Arts Philadelphia, PA
3, Chazan Gallery, Providence, RI
Fluid, Towson University, Towson, MD and Delaware Center for Contemporary Art, Wilmington, DE; Curated by Susan Isaacs
American Abstract Artists 75th Anniversary, OK Harris, New York, NY
American Abstract Artists International, Galerie oqbo, Berlin, Germany
Printed in Providence; Cade Tompkins Projects, Providence, RI
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Curated by Nancy Green

2010
Julian Dashper (1960-2009): It Is Life, MINUS SPACE, Brooklyn, NY; Curated by Matthew Deleget
American Abstract Artists International, Otranto, Italy; Curated by Don Voisine
New Prints 2010/Spring, Internation Print Center New York, New York, NY; Selected by Philip Pearlstein
Material Desires, Craftland, Providence, RI; Curated by Rebecca Siemering
Breakups R Tough, U-Turn art space, Cincinnati, OH
Escape from New York, The Engine Room, Wellington, New Zealand

2009
Pink is the New Black, Cade Tompkins Projects, Providence, RI
Providence Art Windows, Providence, RI; Curated by Rebecca Siemering
de/construct II, Providence, RI; Curated by Allison Paschke
Escape from New York, RMIT University, Melbourne, Australia
Abstract Realities, University of Southern Queensland, Toowoomba, Australia

2008
MINUS SPACE, P.S. 1 Center for Contemporary Art, Queens, NY; Curated by Phong Bui
Beyond a Memorable Fancy, EFA Project Space, New York, NY; Curated by Michelle Levy
Providence Art Windows, Providence, RI; Curated by Rebecca Siemering
touch, Bus-Dori, Tokyo, Japan; Curated by Brent Hallard
American Abstract Artists: Tribute to Esphyr Slobodkina, The Painting Center, New York, NY

2007
All is well that begins well and has no end, 80 WSE Galleries, New York University, New York, NY;
Curated by Jan Von Woensel, Ernesto Burgos and Jonah Groeneboer
Escape from New York, Sydney Non Objective, Sydney, Australia; Curated by Matthew Deleget
Material Matter, Sideshow Gallery, Brooklyn, NY; Curated by Katherine Griefen
Momenta Art Annual Benefit, White Columns, New York, NY
Continuum: In Celebration of 70 Years of American Abstract Artists, St. Peter’s College, Jersey City, NJ

2006
Suitcase, Bus-dori, Tokyo, Japan
New Prints 2000-2006, International Print Center New York, New York, NY
2Step, Hertfordshire University Galleries, Hatfield, UK; Curated by Petra Bungert
2Step, Kunsternes Hus, Oslo, Norway; Curated by Petra Bungert
Considered Space 5, Art + Design Auction, Design Trust for Public Space, New York, NY
Yoav Horesh/Lynne Harlow, The Gallery at 38 Cameron, Cambridge, MA
I Can’t Quite Place It, Smack Mellon Gallery, Brooklyn, NY, Curated by Elizabeth Grady
Presentational Painting III, Hunter College Times Square Gallery, New York, NY; Curated by Gabriele Evertz The Searchers, White Box, New York, NY; Curated by Patricia Maloney
New Prints, Columbia College, Chicago, IL

2005
New Prints 2005 – Autumn, International Print Center New York, New York, NY

2004
4 by 4 by 4, New Arts Program, Kutztown, PA
There is a Light that Never Goes Out (concerning the spiritual in art), d.u.m.b.o. arts center, Brooklyn, NY; Curated by Michael Wilson

2003
Art for Fashion, A Taste of Art - Kaufman Arcade, New York, NY
Spotlight Exhibition, MINUS SPACE, www.minusspace.com

2002
Majority Rules, Free Gallery, Glasgow, Scotland
Once Over, Elizabeth Foundation for the Arts Gallery, New York, NY
The Freight Elevator Project, DUMBO Art Festival, Brooklyn, NY
IPCNY Benefit Exhibition, Sotheby’s, New York, NY

2001
Prints 2001 – Autumn, International Print Center New York, New York, NY
Material History: A Cultural Exploration in Fiber and Glass, Starr Gallery, Newton, MA
The Freight Elevator Project, Downtown Arts Festival, New York, NY
Contemporary Drawings 3D, Visceglia Gallery, Caldwell, NJ
New Prints 2001 – Summer, International Print Center New York, New York, NY


HONORS AND DISTINCTIONS
2011
The Robert and Margaret McColl Johnson Fellowship of the Rhode Island Foundation
$25,000 merit award supporting development of new work

2011
BAU Institute, Otranto, Italy
residency fellowship

2002
Chinati Foundation, Marfa, TX
visiting artist residency

2000
Presidential Purchase Award, Hunter College, The City University of New York
Purchase of three prints for permanent collection

AFFILIATIONS
2010 - present
The Drawing Center, New York, NY
Viewing Program member

2008 - present
Cade Tomkins Projects, Providence, RI
representation of work

2006 - present
American Abstract Artists
elected member

2003 - present
MINUS SPACE, Brooklyn, NY
representation of work

EDUCATION
M.F.A., Hunter College, The City University of New York; New York, NY
concentration in printmaking

B.A., Framingham State College, Framingham, MA
magna cum laude, double major: studio art and art history

BIBLIOGRAPHY        
Bill Van Siclen. "More than Meets the Eye." The Providence Journal, May 10, 2012.
Catalogue. "MINUS SPACE en OAXACA." Oaxaca, Mexico, 2012.
Eva Diaz. "Notations: The Cage Effect Today." Art Forum, Summer, 2012.
Brent Hallard. "How Little is Enough." Visual Discepancies, May 25, 2009.
Bill Van Siclen. "It's Worth the Walk." The Providence Journal, April 2, 2009 . 
Grace Glueck.  “Presentational Painting III.”  The New York Times, April 7, 2006.
Stephen Maine.  “Painting Presentation.”  Artnet, April 7, 2006.
Mark Rifkin.  “Presentational Painting III.”  This Week in New York, March 29, 2006.
Catalogue. Presentational Painting III.  Hunter College/Times Square Gallery, New York, NY, 2006;   Essays by Gabriele Evertz, Abbey Ryan and John Cox
James F. L. Carroll. "Interview on New Arts Alive", New Arts Program/Berks Community Television, Reading, PA, 2004.
Catalogue.  4 by 4 by 4.  New Arts Program, Kutztown, PA, 2004; Preface by Linda Francis